I got a fun gig this month (as a result of the Manchester work) doing a graphic history of a team that turned out pretty good so I'm posting for you, my 3 readers, to enjoy. This was about 3'x8'. Why does anyone pay me to do this? Good question, and one I'm hoping to be able to answer better after reading a book called the Art of Engagement that Trevor lent me last week. The author has been doing this kind of visual work for awhile and thinks it's key to engaging employees and getting strategy implemented, the real failing point for many companies.
Saturday, January 23, 2010
Another gig
I got a fun gig this month (as a result of the Manchester work) doing a graphic history of a team that turned out pretty good so I'm posting for you, my 3 readers, to enjoy. This was about 3'x8'. Why does anyone pay me to do this? Good question, and one I'm hoping to be able to answer better after reading a book called the Art of Engagement that Trevor lent me last week. The author has been doing this kind of visual work for awhile and thinks it's key to engaging employees and getting strategy implemented, the real failing point for many companies.
Swedish Pygmalion
The first summer we were in Sweden I posted about the oddity of seeing West Side Story in Swedish during Kulturkalaset. What struck me then was that everyone was white and blond (I still contend this is a bizarre choice), but there was more to it than that. Must have been because I keep thinking about it. If I think that the translation, casting and removal from the cultural context did the play a disservice, then think what the Russians might think of an American staging of a Chekhov play (egads!) or the French about a Kansas high school's revival of The Misanthrope (quel horreur!). Call me dense, but I'd never given much thought to how much you miss of what the foreign playwright or author meant and was when the language changes AND you don't have a good sense of the cultural context. On the flip side, I suppose we non-native speakers give the piece new life viewing it with our own cultural maps. The original idea in the piece of art makes connections to our own lives and can transcend language (is that possible??), and maybe that is the power of art.
Anyway, I didn't quite mean to get into all THAT artsy nonsense, but I saw a piece in the paper today about a Swedish staging of Shaw's Pygmalion and the difficulty of figuring out how to translate Eliza Doolittle's cockney dialect into Swedish and it reminded me of that earlier post. The dialect IS Eliza before her transformation and when you hear it and know so much about her (even more true if you are actually British, not just English-speaking), so how on earth do you translate that and make it work in supposedly classless Sweden?
The accent the actress apparently decided on was based on a suburbs-Skånska (Skåne is in southern Sweden and the accent is, er, unique) that she tweaked to sound like nothing that actually exists. She basically created her own language. If I had any hope of understanding said suburbs-Skånska I'd love to go check it out. Sadly, the only Skånska I can vaguely understand is that of creepy Anna Anka (she's the Swedish personal trainer who married singer Paul Anka and is now infamous in Sweden after appearing in a ridiculous reality show called Swedish Hollywood Wives), and that's not saying much.
Anyway, I didn't quite mean to get into all THAT artsy nonsense, but I saw a piece in the paper today about a Swedish staging of Shaw's Pygmalion and the difficulty of figuring out how to translate Eliza Doolittle's cockney dialect into Swedish and it reminded me of that earlier post. The dialect IS Eliza before her transformation and when you hear it and know so much about her (even more true if you are actually British, not just English-speaking), so how on earth do you translate that and make it work in supposedly classless Sweden?
The accent the actress apparently decided on was based on a suburbs-Skånska (Skåne is in southern Sweden and the accent is, er, unique) that she tweaked to sound like nothing that actually exists. She basically created her own language. If I had any hope of understanding said suburbs-Skånska I'd love to go check it out. Sadly, the only Skånska I can vaguely understand is that of creepy Anna Anka (she's the Swedish personal trainer who married singer Paul Anka and is now infamous in Sweden after appearing in a ridiculous reality show called Swedish Hollywood Wives), and that's not saying much.
Friday, January 15, 2010
Brrrr
In Little Women, one of the girls, Jo I think, goes on an on about how she hates French and so when some old Auntie is going to go to France and wants to take someone with her she decides not to take complainy old Jo, but to take her nice sister, Amy, instead. Amy just loooooves French and would just diiiiiiie to see Europe, so she goes and Jo is left singing "je ne regrette rien" in her whiskey (or maybe this only happened in my edition). This is the only part of Little Women I remember, so clearly the danger of complaining wasn't wasted on my 8-year-old brain. So it is with some trepidation that I admit I really really dislike snow and cold weather. My reaction to the piles of dog-pee-dotted white snow lining the streets and reflecting the weak winter sun, which seems to elicit joy from many, is along the lines of "just melt already so I can wear my high-heeled boots again."
Clearly, as well as not being a pet person I am not a snow/cold/wintery sort of person. I'm annoyed I have to wear long underwear; I'm annoyed I have to bundle the kids up 3 times a day; and I feel like a pack mule always trudging through the snow or slush with my stuffed Coop Forum bags. I'm sure my dislike is amplified by the fact that I don't ski and, being from San Francisco and all, have no fond childhood memories of frolicking in the snow. Now, I know it would be much more annoying to be living in northern Sweden, where it's been like -25 degrees (-33C) instead of the balmy 14 degrees it's been in Gothenburg for weeks, but I'm still annoyed. I am just always cold and I refuse to buy those super ugly $500 Bally Curling boots everyone has. I realize this probably ruins my chances of getting invited on an all-expenses-paid ski trip to Kitzbühl next year by my long-lost Uncle Teddy, but so be it. I am freezing my West Coast tush off and tired of looking like a puffy black ball topped with a purple pom-pom.
Clearly, as well as not being a pet person I am not a snow/cold/wintery sort of person. I'm annoyed I have to wear long underwear; I'm annoyed I have to bundle the kids up 3 times a day; and I feel like a pack mule always trudging through the snow or slush with my stuffed Coop Forum bags. I'm sure my dislike is amplified by the fact that I don't ski and, being from San Francisco and all, have no fond childhood memories of frolicking in the snow. Now, I know it would be much more annoying to be living in northern Sweden, where it's been like -25 degrees (-33C) instead of the balmy 14 degrees it's been in Gothenburg for weeks, but I'm still annoyed. I am just always cold and I refuse to buy those super ugly $500 Bally Curling boots everyone has. I realize this probably ruins my chances of getting invited on an all-expenses-paid ski trip to Kitzbühl next year by my long-lost Uncle Teddy, but so be it. I am freezing my West Coast tush off and tired of looking like a puffy black ball topped with a purple pom-pom.
Thursday, January 7, 2010
Barcelona with kids
And those are all wonderful and valid ways of experiencing a city, even if they are the antithesis of how you used to approach traveling. Plus, when you travel with your kids and your husband you get to spend your days with the most loving, interesting, funny and sweet people in the world. And having traveling companions like that is pretty darned great, whether you see the Miro museum or not.
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